If I wrote a movie called Angels and Demons, it’d be the story of my life. God’s honest truth, fictionalized just enough that I could be played by Jodie Foster.
I’d be smart, capable, compassionate, and butch as fuck. I mean, she would be. Let’s make her an artist, an outsider queer. Give her a show at the Guggenheim, after struggling in obscurity for decades. Let’s give her one moment when she thinks she’s got it made.
When she isn’t painting or taking care of business, she visits people who are dying. She sits with them, makes tea, gets popsickles to soothe their throats, helps smokers have a cigarette without nodding off. She holds hands with people who are moments away from crossing over, and for this she is rewarded with visions. She only paints what she sees.
Most people do not get her work. She paints love and they see bodies. She paints life and they see blood. She paints addiction, but people don’t see shit. Still, she eventually figures out a way to use paint to convince her audience that Art might be the most authentic spiritual path for our plastic civilization and oily hearts. She is not sure, by the way, that she hasn’t made a deal with the Devil.
When the 7th person dies in Room 21 at Ward 63 of the County Hospital, Angels come and whisper in her ear: nothingness.
























